Let me rephrase that. I don’t mean giving up ENTIRELY (please don’t do that!). No, I’m talking about that fork-in-the-road intervention we all face at strategic points in our lives. Who am I? What is my purpose?
In all honesty, I have had my own “giving up” come-to-Jesus talks with myself many times in the past. Not so much, “What is my purpose?” as, “Why don’t people like meeeee?!” (Or, maybe I just had a mental breakdown and started talking back to the voices in my head. But hey, I’m an artist. We embrace a little bit of insanity.)
So how does giving up work, exactly?
1. Stop being stuck in the past.
With the past, I have nothing to do; nor with the future. I live now. Ralph Waldo Emerson
Here is my origin story of giving up (and finding freedom in doing so):
I began my journey as the kid who doodled all over her books in elementary school, then became the artsy girl in high school drawing anime characters. Finally, I graduated with a Bachelor in Studio Art, the budding artistic professional ready to take on the world. I have worked in graphic design, in preschool as an art teacher, and in all kinds of non-creative jobs scattered in between.
During some of that time, my muse stayed close. We were best friends. I had so many ideas, I thought I may burst if I didn’t get them down on paper.
Long dry spells inevitably followed. Days and weeks went by that saw me plagued with depression and anxiety and a constant struggle to find some sort of self-worth. Nothing I did was good enough. I felt inferior and longed for days past when things weren’t so complicated and hard. Giving up felt easy, but I needed to learn to give up the right things.
We should learn from the past instead of living in it. That way, when those dry spells inevitably return, we can be better prepared to handle them.
2. Give up on unrealistic expectations.
I’ve learned that universal acceptance and appreciation is just an unrealistic goal. Dan Brown
Like many times before, I found my footing again at the end of the dark hold of depression and anxiety. From then on I have spent every-possible-moment-since taking advantage of the inspiration. Painstakingly, I create quality content on my social media platforms. That includes making myself more marketable. I work tirelessly to grow my fan-base and extend my empire. Except that my empire is very, very small (really more of a village).
For a while that bothered me. (Okay… if I’m honest with myself, it still bothers me.) But, do you know what? I am learning that when I raise the bar too high, too fast, that’s when I crash and fall. Those unrealistic expectations can be killer to a perfectionist. And I have always been extremely hard on myself.
Which brings me to giving up on whatever measures of success have been ingrained into our brains from day one. So what if I have few followers? Those that do follow me, they are my people, my kindred spirits—they are YOU. And you are more precious to me than gold. Because you are real people who take an interest in what I do. You find value in the work I create (if not, you wouldn’t bother hanging around).
That means so much more than thousands of lukewarm followers who only stick around until the next trendy thing catches their eyes. And at the end of the day, I need to feel that my art means something to someone much more than I need to feel “popular.” If I can touch even one person’s soul, shed light on one dreary day, make only one person smile, I’ll consider my art a success.
3. Let go of what you can’t control.
You may not control all the events that happen to you. But you can decide not to be reduced by them. Maya Angelou
I have spent years fighting for control. Control over my circumstances. Control over how others perceive me. Things that I can never hope to attain but that I continue to beat myself up over. I cannot force others to like what I do or force others to invest in my work. But I CAN foster relationships and build trust with those who do. Which means creating quality art for quality people, numbers be damned.
Sure, I may not have 100,000 followers. So what if I still have to have a day job on top of my art business? If I focus on the good things, the small wins, I start to realize that I’m pretty lucky—and extremely blessed.
What do you have a hard time giving up on? Let me know in the comments below!
“Imitation is the sincerest form of flattery.” – Charles Caleb Colton
How true that statement is. Everyone has things they love, and many of those things shape us. It’s inevitable. This is no less true when it comes to our art. We see things we like, we imitate and try to shape our style to include those things.
Now, don’t get me wrong – I am NOT talking about stealing other people’s work and passing it off as your own. I am also NOT talking about imitating something so closely that the end result is something that is nowhere near your own work. I am talking about imitating things in a quest to find your own style. Finding styles that you like and working them into a style that is 100% uniquely YOU.
Throughout my journey as an artist, these are the top seven things that have shaped my style:
If you know even a little about me, you know about my love of Disney (also known as an intense, all-encompassing obsession). I had Little Mermaid everything as a little girl. Then Lion King everything. Then — well, you get the idea. I mean, I currently own approximately 30 Stitch stuffed animals. I am a member of the Disney Vacation Club. I go on Disney cruises.
(I may have a problem…)
My point is, it seems natural that Disney would influence my art style, seeing as I soaked up Disney animation from a very early age.
I started my love of Japanese animation (anime) and manga around middle school. It started with Sailor Moon (didn’t every girl from the 90s start with this? No, just me?), though my real love was Card Captor Sakura. It branched off into many different directions, but I started drawing in the Anime style, and it definitely leeched into my work after a time.
I blame Labyrinth for my addiction to all things shimmery. (C’mon, that movie is an explosion of sparkles. Seriously. so. much. glitter!!). It is my all-time favorite movie. I’ve watched it an unprecedented number of times. And I admit that I do like to add a bit of sparkle to my work every now and then… Oh, and I will always love owls.
4. Just Imagine: a Book of Fairyland Rhymes
For anyone that isn’t familiar with this picture book… oh, you’ve missed so much, my friend. In case you can’t see the theme, I really, really love fantasy and fairy tales. I think this may have been the beginning of it all. Guy Gilchrist is an amazing illustrator (and the writing is spectacular as well). He has this whimsical, slightly antiqued style with soft colors.
I came across Aimee Major when I was in high school. She was going to college for character animation (which I really, really wanted to do! Funny how life doesn’t work out quite how we picture…. Anyway, I digress). Her work was and is spectacular. She’s worked on several animated television shows over the years, and I remain a faithful follower of her work. And she definitely influenced my style in the late 90s.
James Hance. This man is my hero. He makes the most wonderful geeky masterpieces. I mean, seriously, his work is brilliant. C’mon, Wookie the Chew? He combined Star Wars with my all-time favorite stories – A.A. Milne’s Winnie the Pooh. So, I’m not ashamed to admit that he inspires me to be as geeky as I like in my art. If he can make such beautiful masterpieces, surely I can, too!
6. Antique photography
I love looking at antique photographs. The soft, muted colors (or soft shades, for black and white or sepia photos). The slightly warm sepia tint that comes through that makes them look worn and old. I think that’s why I’m growing to love watercolor so much. You can recreate so much softness that way.
7. Comic books
This is a bit of a broad subject, but I do love comic books, and I do feel they have shaped my style quite a bit. Especially comics such as Sin City. I really, really love the black-and-white/grayscale mood of the art with splashes of color mixed in at certain places.
So, that’s basically it. I’m sure I could come up with many more, but really, those seven things encompass most of what my style is comprised of. Now, it’s your turn. What sorts of things have influenced YOUR style? I’d love to hear them in the comments below!
If you’re anything like me (and you probably are not, because I’m completely strange unique), then you like to find tutorials on the web and try them out. Or, you know, buy those Disney “How to Draw” books. Does anyone else remember those? Are those still a thing? I need to see if I still have mine. I’m pretty sure I got twenty.
(No, that wasn’t a reference to Little Mermaid. I swear.)
Ehem. Anyway, the point being, I love tutorials. And so, I’ve scoured the web for days on end (translation: I googled for about ten minutes) and found a list of art tutorials and projects that I love and want to try — and I hope you try them, too!
Tips for drawing backgrounds: I will be the first to admit that I hate drawing backgrounds. I don’t know why, but I do. So, that of course means that I should be practicing drawing backgrounds as much as possible because if it’s not something you love doing, you aren’t going to do it, then it’s going to suck, and then all your art is going to suck, and then you’re going to curl up in a ball and cry. So.
Step-by-Step Digital Painting Tutorial: Not only do I love this artist’s style, but the infographic-style of this tutorial is beautiful to look at and extremely thorough. I already follow several of her steps, so it will be easy for me to try this one out and tweak my current process!
Head over to Clementine Creative for a list of 12 watercolor tutorials that you can check out. (I, for one, want to strengthen my weak skill in watercolor. It’s a medium where you kind of have to let go — which I have a hard time with!!)
Talking about references… Looking at other artist’s work to help your skill along is never a bad thing (we all do it, and these tutorials are a great example). But, when at all possible, use live references (or at least photographs of live references).
Not only will you ensure that your style remains your own, you will also make sure you don’t inadvertently pick up any bad habits from other artists, either. (Sorry. We ALL have them.)
Along the same vein as clothing, shoes are something I am always trying to improve on. Well, feet and shoes. And I was going to look for a specific tutorial when I came across this link to a bazillion (okay maybe not quite that much, but close) tutorials and references on Pinterest. So, why try to invent the wheel?
Another aside on clothing: this book by John Peacock is amazing! I have one of its older siblings, but I may have to upgrade. It’s a great reference on different clothing styles throughout (most) of history.
One final tutorial on drawing figures – this article on Design Your Way has a ton of video tutorials on everything from eyes, to faces, to gesture drawing and poses.
You can also view more art references and tutorials on my Pinterest board, Art Reference – I update fairly frequently.
So, about those tutorials… Seriously. Try them. And let me know how they are in the comments.
I’ll wait. 😉
(P.S. If you have Netflix, they now have the entire Bob Ross series available to stream. That man fostered my obsession with art at a very early age. And, c’mon. Bob Ross. I dare you to watch it and not laugh you @$$ off or end up in a good mood by the end!)
I have always stressed the importance of keeping a sketchbook. My studio at home is jam-packed full of sketchbooks – big ones, small ones, skinny ones, fat ones, (yes, this is sounding like a Dr. Seuss book…)
Karen Elaine’s idea of nano sketching, though. I admit I fell in love with this idea as soon as I read about it! Sketchbooks, minified! Sort of like flash fiction, only for art. And like flash fiction does for writing, nano sketching condenses your art into a small, confined area, which helps to tighten skills and sharpen focus.
So, what is a nano sketch?
Nano sketches are quick gesture drawings done with a pencil (no erasing) keeping the lines loose light and free.
Sounds pretty simple. We used to do exercises like this in art school. Sometimes we would have to look only at the subject and never down at the paper – you know, if you want to take this to an even more advanced level. Or are a bit of a masochist. Either way.
Nano sketches are quick and usually done in a public place.
Since the journals themselves tend to be so small, this makes sense. Think of the possibilities! I would love to take one of these on vacation with me and do sort of a sketch-journal about my experiences!
A real useful trick is to photograph your subject first so you have an image to refer to when things change (and they always do) and if you want to complete the sketch at a later time.
I love the above piece of advice. I almost never finish a sketch in time — and when I am drawing active scenes, it’s great to grab a shot of the instance for future reference. I don’t know about you, but it’s kind of difficult for me to sketch someone jumping in mid-air in the nanosecond it takes them to jump up and then hit the ground again.
If you can do that, you must be some sort of superhero, and you should be out fighting crime instead of sketching.
Making time for nano sketches every day is a quick and easy way to practice drawing and painting skills and to observe the world in an entirely different way.
Seriously, though, I have been trying to make it a goal to draw something daily. Even more so, to draw things I actually see (as opposed to things from my crazy ADHD mind) to help hone and refine my skills. Art is kind of like riding a bike. If you stop riding, you start to lose the basics and you don’t ride nearly as well as if you had ridden daily.
Or something like that. I’m bad at metaphors.
Anyway, I highly recommend you check this guest post out at Doodlewash! Karen goes into much more detail, and her sketches are lovely! (I mean, just look at that cat. So adorable!)
Scroll down to the end of the post for the link to the full article. And, enjoy!
Greetings, my name is Karen Elaine and I am an artist, author and teacher living in the mountains near Sedona, Arizona living with my husband and cat (follow me on Instagram, Facebook, Twitter, and visit my website!). I’m the author of Origami Card Craft and The Art of Kumomi as well as other books on paper crafting […]
via GUEST DOODLEWASH: Nano-Sketching by Karen Elaine — Doodlewash
These are just some of my favorite ways to spark creativity when I’ve my muse has all but deserted me — and they are certainly not the ONLY options! But, I think these tips are ones that most people can agree on.
Words no creative professional wants to hear. Pair it with an incredulous look and it’s enough to make blood boil. The truth is, real artists and artisans put a lot of time, blood, sweat, and tears into the creations they make. They toil for hours. They lose sleep. They forget to eat. (Trust me. I’ve experienced it all.)
When someone implies (or outright says) that they think an artist/artisan’s creations are somehow worth less…
Honestly, I can’t even describe it.
Here is the best example I can think of: say you just interviewed for a big promotion at work. The interview went well, the committee seemed suitably impressed, and you feel confident that you are the best person for the job. Later, your boss comes up to you and says, “We like you, [name], but that raise you’re looking for? We just can’t afford what you think you’re worth. I mean, [so-and-so] would do the same job for half that price.” Then, the company low-balls you on their offer.
How would that make you feel? Pretty crappy, I’d imagine.
I have wanted to do a post on how much an artist’s or artisan’s time is worth. Recently a friend posted a blog post that perfectly illustrates just what goes into an artist’s creation, so I thought, why mess with perfection? The post, titled “Materials, Time, Creativity,” written by Matt Munson (on the site The Project Workbench) goes into detail as to why artistic creations are worth so much more than the average person assumes.
As the name implies, the cost of most artisan pieces can be broken down into three major categories:
“This is the easiest one for people to wrap their heads around. These are the hard costs of the stuff used to make the thing you’re looking to purchase.”
Simply, these are the supplies we use to create the finished product. For someone like me, it would be things like paper, paints, brushes, etc. These numbers are easily quantifiable, and oftentimes they are the numbers that most people assume should encompass the entire price.
Just because I spent $20 in supplies does NOT make my illustrations worth $20.
“Contrary to what you may believe or understand, the time of the artisan is worth something. Just as you would not do your job for free, it’s a bit short sighted to expect an artist to do their job for free.”
I love the quote above especially. Developers may love their job, but they still expect compensation for their work. Teachers may have a passion for education and children, but they still spent a lot of time and money learning to do the job they do, and do it well. Is that not worth something? Should they not be compensated for their skill and knowledge of their profession?
Artists and artisans should be no different.
“And here we reach what I believe is the toughest pill for a potential customer to swallow. The idea that the product you are creating has some value all its own, independent of the materials and time used to create it.”
When I am looking at a priceless painting by a world-renowned artist, I would never presume to think that the item has no intrinsic value. And, while we cannot all be Picassos or Van Goghs, I believe that an artist’s creations do have value all their own.
After all, if a person does not love something about that artist’s work, why on earth would that person bother approaching them for a custom piece? It makes no sense.
As for me – if someone comes to me thinking they’ll get something for nothing, they are sorely mistaken. And if they claim that they can make the same thing for a fraction of the cost, I will smile at them and say:
“By all means, then. You’re welcome to do it yourself.”
I am a professional artist who specializes in pop art, illustration, and graphic design. Much of my time is spent creating whimsical portraits and fantasy art. My work includes both digital and a mix of traditional wet media. (Check out my art gallery to view my work!) I find inspiration from animation (e.g. Disney and Japanese anime), fantasy, fairy tales, and especially those magical little moments in everyday life.