The cost of creativity: you get what you pay for

“You want HOW MUCH for that?!”

Words no creative professional wants to hear. Pair it with an incredulous look and it’s enough to make blood boil. The truth is, real artists and artisans put a lot of time, blood, sweat, and tears into the creations they make. They toil for hours. They lose sleep. They forget to eat. (Trust me. I’ve experienced it all.)

When someone implies (or outright says) that they think an artist/artisan’s creations are somehow worth less…

Honestly, I can’t even describe it.

Here is the best example I can think of: say you just interviewed for a big promotion at work. The interview went well, the committee seemed suitably impressed, and you feel confident that you are the best person for the job. Later, your boss comes up to you and says, “We like you, [name], but that raise you’re looking for? We just can’t afford what you think you’re worth. I mean, [so-and-so] would do the same job for half that price.” Then, the company low-balls you on their offer.

How would that make you feel? Pretty crappy, I’d imagine.

I have wanted to do a post on how much an artist’s or artisan’s time is worth. Recently a friend posted a blog post that perfectly illustrates just what goes into an artist’s creation, so I thought, why mess with perfection? The post, titled “Materials, Time, Creativity,” written by Matt Munson (on the site The Project Workbench) goes into detail as to why artistic creations are worth so much more than the average person assumes.

As the name implies, the cost of most artisan pieces can be broken down into three major categories:

1. Materials

“This is the easiest one for people to wrap their heads around. These are the hard costs of the stuff used to make the thing you’re looking to purchase.”

Simply, these are the supplies we use to create the finished product. For someone like me, it would be things like paper, paints, brushes, etc. These numbers are easily quantifiable, and oftentimes they are the numbers that most people assume should encompass the entire price.

Just because I spent $20 in supplies does NOT make my illustrations worth $20.

2. Time

Contrary to what you may believe or understand, the time of the artisan is worth something. Just as you would not do your job for free, it’s a bit short sighted to expect an artist to do their job for free.”

I love the quote above especially. Developers may love their job, but they still expect compensation for their work. Teachers may have a passion for education and children, but they still spent a lot of time and money learning to do the job they do, and do it well. Is that not worth something? Should they not be compensated for their skill and knowledge of their profession?

Artists and artisans should be no different.

3. Creativity

And here we reach what I believe is the toughest pill for a potential customer to swallow. The idea that the product you are creating has some value all its own, independent of the materials and time used to create it.”

When I am looking at a priceless painting by a world-renowned artist, I would never presume to think that the item has no intrinsic value. And, while we cannot all be Picassos or Van Goghs, I believe that an artist’s creations do have value all their own.

After all, if a person does not love something about that artist’s work, why on earth would that person bother approaching them for a custom piece? It makes no sense.

As for me – if someone comes to me thinking they’ll get something for nothing, they are sorely mistaken. And if they claim that they can make the same thing for a fraction of the cost, I will smile at them and say:

“By all means, then. You’re welcome to do it yourself.”

View the complete article by Matt Munson here!

Seven reasons to keep a sketchbook

“Keep a notebook. Travel with it, eat with it, sleep with it. Slap into it every stray thought that flutters up into your brain. Cheap paper is less perishable than gray matter, and lead pencil markings endure longer than memory.”

Jack London

The importance of sketching: artists hear it all the time. (No? Just me?) We should sketch every chance we get, they say.

Well, they’re not wrong.

Think of sketching like riding a bike. It takes practice to gain enough skill to stay on the bike, even more so to get it to move forward. We must practice to learn to stop. We must practice to do wheelies. When we don’t practice, we lose the skills we have learned. They grow rusty. Harder to perform.

So, yes, sketching is important, and below I’ve outlined my top seven reasons to keep a sketchbook with you at all times and practice, practice, practice! (Why seven? Because I’m a rebel like that. Take that, number ten! I do what I want!)

  1. Sketchbooks are snapshots in time
    • Think of a sketchbook as a type of journal. Each time you sketch something in it, you are capturing – immortalizing – a moment in time. Journals do the same, just with words.
  2. Sketching reduces stress

    • I can’t speak for everyone, but when I start drawing, I tend to get lost in my own world. Everything around me fades. My worries melt away. I fall into a zen-like state where nothing exists but that very moment. And, when I finish, I feel at ease and I am filled with satisfaction.
  3. Sketching improves skill
    • Sketching, as mentioned above, allows us to practice and improve our skills. By sketching the things around us, we see the world with an artistic eye and a different perspective.
  4. Sketching fights boredom
    • Before the time of smart phones, I never left home without a book (or two or three), a sketchbook, and my pencils. Waiting at the doctor, standing in a line, waiting for class to start (though that one was a quite a while ago…), you would see me with my nose in a book or else feverishly drawing something in my sketchbook. The time always passed much quicker, then – and unlike with smart phones, I actually had something to show for it at the end. 🙂
  5. Sketchbooks store thoughts and ideas
    • I’ve actually got what I call a scratch-book in my purse at all times. It is sort of a sketchbook on steroids. I sketch, jot down ideas, mind-map (more on that at a later date). It helps me better organize my scatterbrained ideas.
  6. Sketching makes us think
    • Sketching opens me up to whole new ways of thinking. When I start drawing, I look at things in a different perspective and in a new light. I ask questions. These questions lead to ideas. I jot the ideas down on paper and sketch them out. So the cycle continues.
  7. Sketching allows us to truly experience the world around us
    • We have multiple senses for a reason. Use them. Never assume that because drawings and paintings are a visual medium that other senses don’t come into play. On the contrary. They evoke memory and personal experience. While a person may not actually smell a drawing of the sea, a well-done artwork will evoke a strong memory that transports the viewer into the scene. That is the power of experience.

What reasons do you have for keeping a sketchbook? Or, if you don’t draw, what sorts of tools do you use to experience the world around you? I’d love to hear them, so be sure to post them in the comments below!

A few of my favorite art supplies

As artists, we get asked this question a lot: “What is your favorite medium?” or, slightly similar: “What art tools do you prefer?”

Well, my lovelies, I have decided to compile a list of my absolute favorite tools of the trade, and why I love them, just for you. 🙂

Traditional media

  1. Watercolor paint.
    • I am a huge fan of mixed media art. For me, no one medium does absolutely everything I want it to do — but combined… well, then all bets are off. By itself, I’m not a huge fan of watercolor. I appreciate the beauty of the medium and I love looking at watercolor illustrations. But, it’s too fluid, and it doesn’t do what I want it to. (Stubborn, remember?)
    • However, watercolor paint makes a wonderful, ethereal backdrop and I will often use it to start color blocking my pieces. (I also reserve watercolor for larger pieces.)
  2. Copic markers.
    • Copic markers are like watercolor’s richer, denser cousin. Still liquid, still easily blended, but much more saturated. I usually start off with neutral gray hues to shade my piece and tone down the colors so that they look more natural. Then, I layer up the colors to add life to the piece.
  3. Colored pencils.
    • This is my third tool of choice. Colored pencils are a great way to add detail to an illustration and to further pull out the colors that lay underneath.
  4. Acrylic paints.
    • I don’t always use acrylic paints, but sometimes an illustration needs a little extra texture and lift. Acrylics allow me to really pull out the highlights and give the piece an extra 3-dimensional quality.
  5. Hot-press watercolor paper.
    • This is my preferred surface to work on. Watercolor paper holds all of the liquid media well, minimizes bleeding, and allows for easy blending. I prefer hot-press because there is a little less texture and tooth to the paper. However, I have used both and sometimes the extra texture is a good thing!

Digital media

  1. Wacom tablets.
    • As a die-hard digital painting fan, I cannot even begin to remember what it was like before pen tablets. My preferred brand is Wacom, the industry leader in tablets for professional artists. I personally have the Wacom Intuos Pen and Touch Medium Tablet (CTH680) and I couldn’t be happier. Well, that’s not completely true. I have been eyeing that Cintiq Companion 2 Intel® Core™ for a while now. Maybe Christmas? (I’m looking at you, dear husband…)
  2. Wacom Intuos Creative Stylus 2.
    • I have recently become more interested in sketching out drawings digitally. Call me a traditionalist, but I don’t think I’ll ever be able to completely do away with good old pencil and paper for my initial sketches. But I have found the iPad to be a freeing way to sketch — especially when coupled with good drawing apps that can transfer easily to Photoshop (more about that below).
    • I love this stylus for drawing on the iPad. It’s easy to use, it has pressure-sensitivity, and it moves like butter across the screen. (Not that I’m putting butter on my iPad. That’s just gross.)
  3. Apple iPad.
    • I know there are lots of other tablets out there nowadays, but I admit I’m a bit old fashioned when it comes to digital art and computers. While PC has come a long way, I’m just way too in love with Apple (all you PC fans, don’t freak out too hard — I love PC, too. I AM a Microsoft developer, after all. I do all my paintings on the PC!).
    • With retina display for stunning high-quality visuals, and mixed with the stylus I mentioned above and Adobe’s Photoshop Sketch app, the iPad is pretty tough to beat, in my opinion!
    • The only downside (currently) is that the drawings done on the iPad are not high-resolution. This isn’t an issue if you’re just sketching and moving into Photoshop for the final piece — but it would be nice to see this become available at some point in the future…
  4. Adobe Creative Suite.
    • What digital art list would be complete without good old Adobe (especially Photoshop and Illustrator)? I love the new creative suite and how it gives you cloud space. It’s a great way to keep projects available on more than one device! For instance, I can start a sketch on my iPad when I’m out and about, save it, and load it into Photoshop later to start doing the detail work!

16 writers & artists you should follow

With countless numbers of talent all over the world, it’s hard to narrow the list to just the ones below. However, I wanted to focus on my personal favorites because they have influenced my own art and writing in more ways than I could even know.

I hope that you enjoy the list and, with luck, you’ll find a new favorite or two. 🙂

W: writer, A: artist
  1. Aimee Major (A) | I have been a follower of Aimee Major for years. I started sometime in high school (which is well over ten years ago… Yikes!) She inspired me with her impressive portfolio, and she’s worked on some really awesome animation projects. In fact, I was thisclose to moving to California to attend the California Institute of Art because of her. (I desperately wanted to be an animator. Funny how life doesn’t always work out as expected…)

  2. CJ Archer (W) | This author is a new favorite of mine. I did a review (& illustration) of her most recent book, “The Watchmaker’s Daughter” that you can check out here. When I saw that she had a whole series of books called the Ministry of Curiosities, I went out and devoured them all! (Not literally. Sheesh.)

  3. Dani Jones (W, A) | I have been a fan of Dani Jones for a few years now. Her work is charming and engaging. The rich colors and detailed scenes she creates draws you in, and I really enjoy reading her web comics.

  4. Danny Beck (A) | I just discovered this man’s amazing talent, and I have to say: I am completely hooked! His mastery of watercolor is jaw-dropping and I adore his monster and hamster compilations. Cute plus scary? What’s not to love?

  5. David SanAngel (A) | David SanAngel works as a Disney storyboard artist (win!) and has a resume as long as my arm. It’s impressive, and I am jealous. I found him on the  Society of Children’s Book Writers & Illustrators (SCBWI) Illustrators Gallery, and fell in love with his style. Especially the composition of his pieces, unique viewpoints and creative crops. (They make me realize how very much I still have to learn…)

  6. Gayle Forman (W) | I’m a huge, huge fan of Gayle Forman’s work. I started reading with “If I Stay,” and I have been hooked ever since. She puts a lot of emotion into her stories, and the writing is smooth and borders on prose at times.

  7. Guy Gilchrist (W, A) | My favorite childhood picture book is “Just Imagine: a Book of Fairyland Rhymes” by Guy Gilchrist; to this day, it has a place of honor on my bookshelves. When I found out all that Mr. Gilchrist has been involved in, well, it’s no surprise. The man is a fountain of talent.

  8. Heather Theurer (A) | Well known for her amazing renditions of Disney characters as oil portraits – well, where do I start? The paintings are absolutely beautiful (Random aside: I would LOVE the Lilo and Stitch one…)  and, not only that, but she captures their essence and emotion in each piece.

  9. James Hance (A) | I have been a fan of James Hance for years. I am a lifelong Winnie-the-Pooh fanatic, and also a huge Star Wars geek so naturally his “Wookie the Chew” creations excite me to no end. His creative mashups of pop culture with geek culture also make my nerdy heart flutter. In other words – he’s brilliant!

  10. Laure Halse Anderson (W) | This young adult author is another of my absolute favorites! She hits on the hard issues, and her writing is downright poetic. “Speak” will always hold a very special place in my heart.

  11. Mary Uhles (A) | I met Mary at an illustrator’s intensive during an SCBWI conference. Her art is fun, full of soft colors, and very expressive. Her pieces really draw me in.

  12. Meridth McKean Gimbel (W, A) | I had the pleasure of meeting Meridth a few years back at my very first illustrator’s intensive. She’s a wonderful artist, an amazing person, and I am a huge fan.

  13. Neil Gaiman (W, A) | His books are an obsession of mine. I’m not ashamed to admit that. The man is absolutely brilliant! His work is breathtaking and amazing, full of magic and wonder. The worlds he creates — I want to live in them. And many of his works are on the dark side, which I really, really love. (American Gods or The Graveyard Book, anyone? Coraline?) Okay. I’m done gushing.

  14. Robin Preiss Glasser (A) | Illustrator of the popular “Fancy Nancy” series. I just love her wild, whimsical art! It makes me happy, and I am forever trying to channel her talent for amazing costumes.

  15. Susan Eaddy (A) | Susan is a fellow SCBWI member and an amazing, amazing artist. She creates eye-catching pieces with clay in vibrant 3-dimensional scenes that have a lot of depth and richness.

  16. Tim Burton (W, A) | I’ve mentioned before that I love dark, twisted, and fantastical. Alice in Wonderland, Grimm’s Fairy Tales (the REAL ones), that sort of thing. Naturally, Tim Burton falls in that list. The man is a genius with his creepy dark worlds and whimsical characters, and he’s one of my top favorites.

Illustration Friday: Party!

This piece was done as a recent wedding present. I thought it would be perfect for this week’s Illustration Friday prompt, which is “Party.” I’d definitely say they are having a little party — especially the lone woman dancing. 😉

Illustration Friday: Party

Illustration Friday: Party. A woman dances on the bar, smiling and in her own little world, while a man nearby playfully hits on two Russian women.

Image done in mixed media (colored pencil, ink) on watercolor paper. © Danaye L. Shiplett. All rights reserved.